YUPO gives you flexibility with design.Other water effects can be worked on while the board is flat. To get flowing water effects - waterfalls, rivers, and streams - it is best done with the painting placed on a slight slant. I feel that YUPO is a natural for achieving realistic water effects as well. This paper is fantastic for creating drips and moving the color around by tilting the board this way and that. Drips! That is what YUPO is all about.You can either leave it white or paint over it with another color. Pick up the tissue, and you will leave a white design behind. If you do not have a foam roller, you can rub it gently with your hand. Immediately after, lay a facial tissue over the area and then burnish it with a foam roller. Again, press the stamp onto the painting, then remove. It is the same idea, except that instead of applying color to the stamp, you just apply clean water. You can also stamp with clean water to get back to the white of the paper. Mix up your desired color, apply it to the stamp with your brush, press the stamp into the desired dry area of the painting, then remove it. If not, the stamp will just cause a puddle and spread it will not have sharp edges. To do this, the painting must be dry first. Items used to stamp various marks can be used to either apply paint or remove it.Although water droplets sprayed in an almost dry area look fabulous.I have not been impressed with salt yet. Of course wax paper and cling wrap work like a charm, too. I have even made my own stamps by impressing designs with a dull pencil into flat styrofoam pieces. I have achieved great-looking textures from using things that I have found around the house. Cheesecloth, cardboard insulator from my coffee cup, the end of a matchstick, among other common household things have made for some very interesting results.That is what is so cool about YUPO – and the brilliance of the watercolors seem to bounce off the paper. “Once you understand the little idiosyncrasies of working with YUPO, the rewards far outweigh the challenges. It is best to let the paint dry on its own rather than use a blow dryer because if the blow dryer gets too close to the paper, the heat it produces may warp the paper. This would be a good time to get a coffee and come back after the paint is dry to evaluate whether or not you need another pass. Do NOT go back in for a second pass it will start to pick up the color underneath. I tend to hold my brush at slight angle when doing this and barely apply any pressure on the paper. ![]() Then, using a large brush and a gentle touch, apply the glaze over the desired area with one swipe. Then mix up your color on your palette my mixtures tend to be more watery. The painting should be placed flat, no tilt. In order to apply a glaze without disturbing the color, you must make sure the painting is completely dry. While using YUPO, agitation will cause the paint underneath to become reactivated which disturbs the underlying passage. But with YUPO you have to go about this a little bit more carefully. ![]() Another important point that people may find frustrating at first is trying to apply a glaze. Sometimes when an area needs to have the color darkened or changed, usually we just apply a thin layer or two of color over our traditional paper and call it a day.If I then need to erase a line, I just use clean water and it is virtually gone. To solve this issue, I have started to draw with a watercolor pencil. If you draw with a graphite pencil and need to erase a line, the area where the eraser was used will become an area of resist and will not want to receive paint. One thing that is bothersome is the resist created from using an eraser.You can also clean the surface with rubbing alcohol before you begin to lessen this occurrence. This can be frustrating at first, but if you scrub the area with your brush or a tissue, that usually takes care of it, and the paint will then flow as desired. “YUPO can have some little areas that resist pigment while painting, mostly due to the oils in our fingers from handling. “Fun With Buildings” (watercolor on YUPO) It also makes great textures and dripping effects. The great thing about this is that you can wipe paint away to get back to the white of the paper. The paint sits on top of the surface and does not get absorbed into the paper. “YUPO is a synthetic paper made of polypropylene. It also is very rewarding to achieve an interesting result from trying something new. “I find that it pushes my skills and challenges my creativity, as I sometimes have to find unique ways to solve a problem. “I love working with watercolor on YUPO paper,” says Judith. Judith Hummer takes the mystery out of working with this unique synthetic surface.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |